Musical projects in Ukraine of the XXI century as trends in contemporary art
| Autor | Inna Dovzhynets, Nataliya Govorukhina, Oleh Kopeliuk, Oleksandr Ovchar, Iryna Drach |
| Cargo | I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine/I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine/I.P. Kotlyarevsky National University of Arts, Ukraine/I.P.Kotlyarevsky National University of Arts, Ukraine/I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine |
| Páginas | 256-263 |
256
www .am azon iai nves tiga .inf o I SSN 232 2- 6307
DOI: https://doi.org/10.34069/AI/2022.54.06.24
How to Cite:
Dovzhynets, I., Govorukhina, N., Kopeliuk, O., Ovchar, O., & Drach, I. (2022). Musical projects in Ukraine of the XXI century as
trends in contemporary art. Amazonia Investiga, 11(54), 256-263. https://doi.org/10.34069/AI/2022.54.06.24
Musical projects in Ukraine of the XXI century as trends in
contemporary art
Proyectos musicales en la Ucrania del siglo XXI como tendencias del arte contemporáneo
Received: May 10, 2022 Accepted: July 3, 2022
Written by:
Dovzhynets Inna97
https://orcid.org/0000-0002-9663-2576
Govorukhina Nataliya98
https://orcid.org/0000-0003-3100-9035
Kopeliuk Oleh99
https://orcid.org/0000-0002-0428-1538
Ovchar Oleksandr100
https://orcid.org/0000-0003-1274-2362
Drach Iryna101
https://orcid.org/0000-0003-2089-9570
Abstract
The relevance of scientific work is determined by
the need to identify and justify the syntactic-
semantic connection between contemporary
musical art and the socio-cultural world space.
The aim of the article is a comparative analysis
of tradition-innovation relation in the context of
musical art in modern Ukraine on the example of
leading musical projects. Achievement of the
objectives was possible due to the use of a
number of methods of scientific research, among
which analysis, synthesis, generalization, and
systematization, as well as the method of
comparativism. The relevance of studying the
correlative connection between traditional
Ukrainian cultural space and global artistic
trends, gravitating toward pluralism and
multiculturalism, as well as the establishment of
intercultural communication was confirmed. The
novelty of the scientific article consists in the
study of musical projects as objects of the sphere
of art for the identification of Ukrainian
tendencies. The pr actical value of the work is
focused on providing the scientific space with
qualitative information content on the topic of the
Resumen
La r elevancia del trabajo científico viene
determinada por la necesidad de identificar y
justificar la conexión semántica sintáctica entre el
arte musical contemporáneo y el espacio socio-
cultural mundial. El objetivo del artículo es un
análisis comparativo de la relación tradición-
innovación en el contexto del arte musical de la
Ucrania moderna sobre el ejemplo de los
principales proyectos musicales. Se confirmó la
pertinencia de estudiar la conexión correlativa
entre el espacio cultural tradicional ucraniano y las
tendencias artísticas globales, que gravitan hacia el
pluralismo y el multiculturalismo, así como el
establecimiento de la comunicación intercultural.
La novedad del artículo científico consiste en el
estudio de los proyectos musicales como objetos
de la esfera del arte para la identificación de las
tendencias ucranianas. El valor práctico del trabajo
se centra en dotar al espacio científico de un
contenido informativo cualitativo sobre el tema de
la formación de los festivales ucranianos y explicar
su especificidad. De este modo, los autores han
resumido una amplia investigación cultural y han
identificado las perspectivas de desarrollo futuro
97
Doctor of Arts, Associate professor Professor of а Department оf General and Specialized Piano I.P. Kotlyarevsky Kharkiv National
University of Arts, Orchestra Faculty, Ukraine.
98
PhD in Arts Studies, full professor Rector Solo Singing and Opera Studies Department Performance and Musicology Faculty, I.P.
Kotlyarevsky Kharkiv National University of Arts, Ukraine.
99
PhD in Art Studies, Accociate Professor Special Piano Department Kharkiv I.P. Kotlyarevsky National University of Arts, Ukraine.
100
PhD in Philosophy, associate professor Head of the Department of Orchestral Wind Instruments and Opera and Symphony
Conducting, Faculty of the orchestra Kharkiv I.P.Kotlyarevsky National University of Arts, Ukraine.
101
Doctor habilitatus of musicology, Head of the Department of History of Ukrainian and Foreign Music, the Performance and
Musicology Faculty I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.
Dovzhynets, I., Govorukhina, N., Kopeliuk, O., Ovchar, O., & Drach, I. / Volume 11 - Issue 54: 256-263 / June, 2022
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