La biografía del artista en la época del posmodernismo - Núm. 12-65, Mayo 2023 - Amazonía Investiga - Libros y Revistas - VLEX 941266604

La biografía del artista en la época del posmodernismo

AutorLesia Mykulanynets, Myroslava Zhyshkovych, Oksana Bassa, Olena Ksondzyk
CargoPhD in Arts, Associate professor of preschool and special education department of Mukachevo State University, Mukachevo, Ukraine. / PhD in Arts, Professor, Head of Department Solo singing, Lviv M. Lysenko National Music Academy, Lviv, Ukraine. / PhD in Arts, Associate professor, Head of Department of PianoAccompaniment, Lviv M. Lysenko National...
Páginas10-19
10
www .am azon iai nves tiga .inf o I SSN 232 2- 6307
DOI: https://doi.org/10.34069/AI/2023.65.05.1
How to Cite:
Mykulanynets, L., Zhyshkovych, M., Bassa, O., & Ksondгyk, O. (2023). The artist’s biography in the postmodernism
epoch. Amazonia Investiga, 12(65), 10-19. https://doi.org/10.34069/AI/2023.65.05.1
The artist’s biography in the postmodernism epoch
   
Received: March 27, 2023 Accepted: May 26, 2023
Written by:
Lesia Mykulanynets1
https://orcid.org/0000-0002-6346-6532
https://www.webofscience.com/wos/author/record/CAH-2772-2022
Myroslava Zhyshkovych2
https://orcid.org/0000-0003-3432-2641
Oksana Bassa3
https://orcid.org/0000-0003-2158-2516
Olena Ksondzyk4
https://orcid.org/0000-0003-1308-3266
Abstract
The objective of the article is to analyze the
genesis and age transformation of the artist’s
biography; to distinguish the role of a creative
personality’s chronicle in the late 21st century; to
justify its significant role implementing the
anthropological concepts of the period. Research
methodology: systemic by comprehensive
solution of the research issues with the
involvement of science and methodological
elaborations of humanitarian study; culture
studies by identifying the mutual relations
between public and spiritual processes; historical
by the grasp of the specifics of the chronicle’s
establishment and development; comparative
by comparing the biographies of various
centuries; analytical by considering sources in
accordance with the publication issue; theoretical
generalization by summarizing the research
results. The article is dedicated to considering the
artist’s biography of the Postmodernism epoch.
The Postmodernism synthesized elaborations of
the preceding eras and on that basis altered the
established views on the chronicle’s essence. The
genre obtains new functions, i.e. communicative,
civiliгational, synergetic, etc.; it reveals the era’s
controversies having occurred due to the lack of
moral ideals, ethics and aesthetics canons and
personified leaders. The key task of the
biography is realizing the macrocosm structure

    
   ,
    
   ; 
, ,  
 ; ’ 
   
  , ,   
  
  . 
:  
  ,  -
  ;
  ’
   ;
  
   ;
   
;   
   ;
    
;    
 ;  
  .  :
  
 ,   
     .
     
 ,  
1 PhD in Arts, Associate professor of preschool and special education department of Mukachevo State University, Mukachevo,
Ukraine.
2 PhD in Arts, Professor, Head of Department Solo singing, Lviv M. Lysenko National Music Academy, Lviv, Ukraine.
3 PhD in Arts, Associate professor, Head of Department of PianoAccompaniment, Lviv M. Lysenko National Music Academy, Lviv,
Ukraine.
4 Senior lecturer of Department of of Piano Accompaniment, Lviv M. Lysenko National Music Academy, Lviv, Ukraine.

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