El color en los cuentos de hadas y los derechos humanos: la transversalidad del color detrás de la narrativa de Alicia y Blancanieves - Núm. 17-2, Mayo 2023 - Novum Jus: revista especializada en sociología jurídica y política - Libros y Revistas - VLEX 948228681

El color en los cuentos de hadas y los derechos humanos: la transversalidad del color detrás de la narrativa de Alicia y Blancanieves

AutorJeice Hernández / César Oliveros Aya
CargoResearch professor; research coordinator, Faculty of Graphic Design, Universidad Santo Tomás (Bogotá, Colombia). / Research professor, Universidad Militar Nueva Granada (Bogotá, Colombia), Law School.
Páginas301-328
Color in Fairy tales and Human Rights:
Color Transversality behind Narrative,
Alice, and Snow White
Jeice Hernández / César Oliveros Aya
Código: 1403429202 • Autor: istockphoto.com
How to cite this article [Chicago]: Hernández, Jeice, and César Oliveros Aya. “Color
in Fairy tales and Human Rights: Color Transversality behind Narrative, Alice, and
Snow White.” Novum Jus 17, no. 2 (2023): 301-328.
https://doi.org/10.14718/
NovumJus.2023.17.2.12
303
NOVUM JUS ISSN: 1692-6013 E-ISSN: 2500-8692 Volumen 17 No. 2 Mayo-agosto 2023 Págs. 301-328
Color in Fairy tales and Human Rights: Color
Transversality behind Narrative, Alice, and Snow White
Jeice Hernández
*
Universidad Santo Tomás (Bogotá, Colombia)
César Oliveros Aya
**
Universidad Militar Nueva Granada (Bogotá, Colombia)
Received: May 16, 2023 | Evaluated: May 25, 2023 | Accepted: May 29, 2023
Abstract
This article analyzes the use of color in illustrations and images from classic fairy tales and their relationship
with human rights, introducing the concept of color transversality as a tool to understand the chromatic
narrative as a means of conveying ideas in these types of images. These stories belong to popular culture
with pedagogical purposes that are often no longer applicable to the new reality. By perpetuating messages
from the past, these stories teach relationships and concepts that are no longer applicable or should not be
considered from a legal perspective when we consider human rights. This study uses the images of Disney's
1937 Snow White and 1951 Alice in Wonderland as references. The color in these images is analyzed through
their social associations and meanings, conducting an exploratory and holistic investigation that includes
an aesthetic, artistic, social, and legal perspective. The study proposes a flow of color information through
chromatic relationships and connections generated through color transversality over time affecting how we
perceive society and how we relate to it. In recent decades, visual readings of these stories have retained some
colored messages related to their original meanings. These meanings can emphasize or attenuate perceptions
that can alter our vision of some of the fundamental pillars of our society, such as human rights to equality
or freedom, among others. This article exemplifies how the chromatology of illustrations in these types of
stories has its narrative that can affect our view of society. Using color transversality, it proposes a reflection
on the context of the image and its chromatic impact in the 21st century.
Keywords: Color, perception, human rights, classic stories, color transversality, Alice in Wonderland,
Snow White.
https://doi.org/10.14718/NovumJus.2023.17.2.12
*
Research professor; research coordinator, Faculty of Graphic Design, Universidad Santo Tomás (Bogotá, Colombia).
Jeicehernandez@usta.edu.co.
https://orcid.org/0000-0002-1486-1333
**
Research professor, Universidad Militar Nueva Granada (Bogotá, Colombia), Law School.
cesar.oliveros@unimilitar.
edu.co
. https://orcid.org/
0000-0002-8760-7280

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