Leo Tolstoy's moralizing in context of ethical and aesthetic synthesis
| Autor | Svetlana A. Simonova, Tatiana V. Shvetsova, Marina A. Shtanko, Denis G. Bronnikov, Alexei A. Mikhailov |
| Cargo | Svetlana A. Simonova, Moscow State University of Psychology & Education (MSUPE). Moscow, Russia. Doctor of Philosophical Science, Professor, Moscow State University of Psychology & Education (MSUPE). Moscow, Russia. Tatiana V. Shvetsova, Federal University named after M.V. Lomonosov (NarFU). Arkchangelsk, Russia. Candidate of Philology, docent,... |
| Páginas | 257-263 |
Volume 10 - Issue 43
/ July 2021
257
htt p:// www .am azon iain vest iga. inf o ISSN 2 322- 6307
DOI: https://doi.org/10.34069/AI/2021.43.07.25
How to Cite:
Simonova, S.A., Shvetsova, T.V., Shtanko, M.A., Bronnikov, D.G., & Mikhailov, A.A. (2021). Leo Tolstoy's moralizing in context
of ethical and aesthetic synthesis. Amazonia Investiga, 10(43), 257-263. https://doi.org/10.34069/AI/2021.43.07.25
Leo Tolstoy's moralizing in context of ethical and aesthetic synthesis
Морализаторство Льва Толстого в контексте этико-эстетического синтеза
Received: May 2, 2021 Accepted: july 26, 2021
Written by:
Svetlana A. Simonova90
https://orcid.org/0000-0003-4506-1248
SPIN: 5141-2502
Tatiana V. Shvetsova91
https://orcid.org/0000-0001-9637-6958
SPIN: 8251-1780
Marina A. Shtanko92
https://orcid.org/0000-0003-2665-2552
SPIN: 4867-9385
Denis G. Bronnikov93
https://orcid.org/0000-0002-0382-4414
SPIN: 6467-0780
Alexei A. Mikhailov94
https://orcid.org/0000-0002-2222-5708
SPIN: 6571-2725
Abstract
The article examines the moralizing of Leo
Tolstoy on the example of his theoretical ideas.
The authors, examining their genesis, come to the
conclusion that the writer formed his ideas under
the influence of French enlighteners and
sentimentalists, on the one hand, and absorbed
the ethical dominant o f Russian culture, on the
other hand. The article analyzes the idea of
absolutizing good, which runs through Tolstoy's
entire aesthetic theory as a leitmotif. As a result
of the study of the aesthetic views of the writer,
it is concluded that T olstoy understood the role
of art solely as a translation of feelings and a
means of communication. The writer deprives
art of its aura of mystery and does not recognize
the latter as a source of aesthetic pleasure and
spiritual enrichment. The article analyzes the
worldview of the writer, reveals the influence on
him of the experience acquired b y Tolstoy in
childhood and adolescence. Tolstoy's works of
art and theoretical vie ws are another example of
the fact that the artist's worldview do es not
always coincide with his work.
Аннотация
В статье исследуется морализаторство Льва
Толстого на примере его теоретических идей.
Авторы, исследуя их генезис, приходят к
выводу, что писатель сформировал свои идеи
под влиянием французских просветителей и
сентименталистов, с одной стороны, и впитал
в себя этическую доминанту отечественной
культуры, с другой стороны. В статье
анализируется идея абсолютизации добра,
которая лейтмотивом проходит сквозь всю
эстетическую теорию Толстого. В результате
исследования эстетических взглядов
писателя, делается вывод о понимании
Толстым роли искусства исключительно как
трансляции чувств и средства общения.
Писатель лишает искусство ореола
таинственности и не признает последнее в
качестве источника эстетического
наслаждения и духовного обогащения. В
статье анализируется мировоззрение
писателя, выявляется влияние на него опыта,
приобретенного Толстым в детстве и юности.
Художественные произведения и
90
Doctor of Philosophical Science, Professor, Moscow State University of Psychology & Education (MSUPE). Moscow, Russia.
91
Candidate of Philology, docent, Federal University named after M.V. Lomonosov (NarFU). Arkchangelsk, Russia.
92
Taganrog Institute of Management and Economics, Taganrog, Russia.
93
The Kosygin State University of Russia. Moscow, Russia.
94
Doctor of Pedagogical Sciences, Professor, Director of Shuya Branch of Ivanovo State University, Ivanovo, Russia.
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